GIORDANO, Luca

Italian Baroque Era Painter, ca.1634-1705 ,Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.
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GIORDANO, Luca The Fall of the Rebel Angels dg oil


The Fall of the Rebel Angels dg
Painting ID::  6883 		The Fall of the Rebel Angels dg
1666 Oil on canvas, 419 x 283 cm Kunsthistorisches Museum, Vienna
   
   
     
GIORDANO, Luca Triumph of Judith dfh oil


Triumph of Judith dfh
Painting ID::  6884 		Triumph of Judith dfh
1703-04 Fresco Certosa di San Martino, Naples
1703-04 Fresco Certosa_di_San_Martino,_Naples
   
   
     
GIORDANO, Luca Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz, Szene: Triumph der Medici in den Wolken des Olymp, Detail oil


Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz, Szene: Triumph der Medici in den Wolken des Olymp, Detail
Painting ID::  95348 		Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz, Szene: Triumph der Medici in den Wolken des Olymp, Detail
Date 1684-1686 Medium fresco TTD
Date_1684-1686_ Medium_fresco_ TTD
   
   
     
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     GIORDANO, Luca
     Italian Baroque Era Painter, ca.1634-1705 ,Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.

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